Artist · Designer · Restorer · Installer

Exhibition services for artists, galleries, museums and cultural spaces.

Dale combines contemporary art practice with practical making skills, close attention to detail and more than a decades worth of professional exhibition experience.

Detailed miniature red-brick building with a blue door and timber braces from Black Hole Redux by Dale Christopher Wells
Black Hole Redux — detail

For artists

Clear, practical feedback before you submit, fund or install.

A focused one-to-one review for artists preparing a portfolio, artist statement, funding application, gallery submission or exhibition proposal.

Enquire about a review

£29

Introductory rate

  • 30-minute online consultation
  • One portfolio, statement or proposal reviewed
  • Concise written recommendations afterwards

About Dale

Artist-led, technically grounded.

Portrait of Dale Christopher Wells

Dale is a contemporary sculptor, drawer and writer, born and based in Lincolnshire. Having studied Fine Art at the Grimsby Institute, and gaining his postgraduate degree at the University of Lincoln, he has shown extensively across the UK. His practice often centres around his love of professional model making, a skill fostered in his grandad’s workshop at an early age. He has worked on set design prop-boxes for European operatic productions, and currently freelances in museological scale model restorations.

Dale’s work is often inspired by his direct position in the world, in relation to global events, or political moods. Being neurodivergent, he often finds correlation between many disparate stimuli, leading to densely symbolic dioramas, which often take on the appearance of blasted vistas, or atrocity-ridden landscapes. Drawing inspiration from films such as Robin Hardy’s The Wicker Man, and Ken Russell’s The Devils, these scenes of decay take on an otherworldly quality which could be considered almost proto-medieval in their heaviness. At other times, packs of degraded charity shop animals act as witnesses, or pilferers of discarded narcotics.

Many of these works are recycled, broken apart and reconfigured, creating a very real physical cycle of working which mirrors his mental whorling. Childhood toy figures and model pigs act as the drivers of these events, and scavenged animal figurines watch over the masses, with bleeding eyes, cataract white, and prisoner to the endless replay of misaligned scenes.

Work with Dale

Start a conversation

Have a project, object or exhibition in mind?

Tell me what you are working on, where you are in the process and what kind of support would be most useful.

Contact Dale